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“Everybody has a part to play,” her mother said. “Bart Seston raises cattle, the butcher slaughters them so we can have food. A midwife brings people into the world, an undertaker buries them when they die. Life is good sometimes, hard sometimes, bad sometimes, and good again.”
“I don’t always understand your part,” Fiona said.
“I am the voice that says ‘I know’ when someone tells me “This is too hard for me to hold on to by myself.” I am the soul who reminds other souls that they are not alone. I cannot bring them solutions, I cannot make their troubles disappear, I can only say that I hear them and I understand. Sometimes that’s enough.”
“Sometimes it’s not,” Fiona said.
Ten years ago I discovered historian Frances Yates through her fascinating account of the life of Giordano Bruno. What interested me the most was her defining the magical systems of Bruno, which he proposed should become a function of the Catholic Church, as a form of early psychology. In effect mysticism was treated of as a means of explaining the secrets of the unconscious mind – centuries before Freud proposed the notion of such a mental facility. I would ally Bruno to more contemporary theorists, such as Julian Jaynes‘ notion of the bicameral mind‘s evolution causing changes in how humans came to perceive reality.
I enjoy fantasy fiction that is not afraid to endorse ‘mythic consciousness’, as a legitimate way of approaching a story. The likes of Yates and Jaynes are rare in that they are academics happy to not condescend to pagan belief systems and mysticism. Of course for writers of the fantasy genre this is their bread and butter – but they also need to beware of that modern chauvenism towards early attempts to explain the world.
The Safe-Keeper’s Secret opens in the traditional manner of a fairy tale. A midnight dash on horseback to an isolated village. An infant child stolen away from the court of a cruel king, hidden in a safe home. What follows feels traditional and surprisingly unique.
Fiona and Reed are raised as siblings by Damiana, the safe-keeper of the village of Tambleham. Only she and her sister Angeline are aware of the true identity of the child delivered to them by the rider from the capital Wodenderry, on the same night Damiana gave birth to her own child. As both women as safe-keepers the secret is safe with them, for that is their purpose, to carry the secrets of people that cannot be bourne alone. Of course some secrets are too difficult to hide. Reed is widely believed by the villagers in Tambleham to be the illegitimate heir to the throne, a claim that Damiana neither confirms or denies.
Fiona believes that she will follow in her mother’s footsteps and become a safe-keeper herself. However, Thomas a truth-teller predicts that she her life will take her in a different direction. As safe-keepers cannot divulge a secret given in confidence, truth-teller’s are incapable lying. Furious Fiona remains determined to prove Thomas wrong, but some secrets once revealed have a habit of changing everything.
What I enjoyed most about this book is how subtle the use of magic by author Sharon Shinn is. Safe-keepers and truth-tellers live according to certain mystical precepts and yet their roles in the community are akin to a confessor, or therapist. Shinn also introduces the idea of a dream-maker, a person who endures great suffering so that others can get their greatest wish, similar to the biblical notion of the scapegoat.
The domestic setting of the story I found remiscent of my favourite fantasy novel, Lud-in-the-Mist. I enjoy these kinds of novels, because fantasy I believe is simply an approach to story that embraces unreality. The overabundance of sword and sorcery tropes in fantasy fiction is quite limiting. One issue I have with this book is that the critical notices featured on the blurb mention Robin McKinley twice, an author I am not familiar with. Of course I am speaking to my own ignorance here, but I do think this book could have a wider appeal. While the story opens much like a fairy tale, the plot takes in the uglier side of country living, the miseries safe-keepers have to carry alone such as child abuse, or forced incest. Maybe Shinn does not need the controversy attracted by Tender Morsels, but this is a book with a lot to offer.
Gently told with rich storytelling.