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“I’ve been trying to get through this damn book again.” Ardee slapped at a heavy volume lying open, face down, on a chair.
“The Fall of the Master Maker,” muttered Glokta. “That rubbish? All magic and valour, no? I couldn’t get through the first one.”
“I sympathise. I’m onto the third and it doesn’t get any easier. Too many damn wizards. I get them mixed up with one another. It’s all battles and endless bloody journeys, here to there and back again. If I so much as glimpse another map I swear I’ll kill myself.”
Oh Joe Abercrombie – you kidder!
This concluding chapter to the fantasy series The First Law does an excellent job of refusing to compromise the intent of its author. From the initial entry The Blade Itself Abercrombie has tweaked the noses of fantasy literature. I have been following this series from the beginning of my blog and I must admit reading back over the reviews, by the second title Before They Are Hanged, the joke was wearing a bit thin for me. However, by Last Argument of Kings the energy has definitely returned and the story comes to an ending both fulfilling and devastating.
There are no easy answers in this fantasy and this is something I really admire about the books.
Glokta remains the favourite character from the bunch, returning to his homeland now fatally compromised by the events in the siege of Dagoska. For a man whose justification for his actions in the service of his king, torturing and murdering suspects as a member of the Inquisition, rest upon a certainty that he is in the right given his suffering at the hands of the enemy Gurkish this is a maddening dilemma. If he now too is guilty of treason, how is he any different than his victims? Logen returns from a failed quest still unredeemed, desperately hoping he can become a better man. Realizing he has no choice he returns to the North, where most of his former friends believed he is long dead. In truth they had hoped The Bloody Nine had finally died, known for his propensity for killing friends and enemies in the midst of a bloodlust. Jezal returns from that same quest as Logen welcomed back as a hero. Wishing only to have the chance to live a normal life, following a humiliating experience outside of Adua, instead the manipulative mage Bayaz is positioning him to fill a very special role in the kingdom.
War has come. The Gurkish have finally invaded the mainland. A rebellion against the lords has been stirred up. Bethod’s armies in the North are occupying Colonel West’s forces, which are desperately needed at home. Our heroes between them must beg, borrow and steal the means of winning an uncertain peace.
Where this book excels is in its frustration of the fantasy novel trope of a final conflict resolving all plot threads. Instead here Abecrombie makes it clear that these events are part of a recurring pattern. The real conflict is between those, like Bayaz, who recognize this, and those who feel that an end is something worth sacrificing for.
This is a very entertaining and clever narrative and Abercrombie deserves all the praise for fashioning an unromantic fantasy series. This is great fun.
‘It was on this precise spot, as I remember it, that Calica stood to address the senate, urging caution in the Empire’s eastern expansion. It was down there that Juvens replied to him, arguing boldness, and carried the day. I watched them, spellbound. Twenty years old, and breathless with excitement. I still recall their arguments, in every detail. Words, my friends. There can be a greater power in words than in all the steel within the Circle of the World.’
‘A blade in your ear still hurts more than a word in it, though,’ whispered Logen. Jezal spluttered with laughter, but Bayaz did not seem to notice. He was too busy hurrying from one stone bench to another.
A few months ago I came across this very interesting discussion by Joe Abercrombie. I had become a fan of the writer since my review and his account of how he was unfavourably compared to J.R.R. Tolkien by Leo Grin raised a grin. This notion of moral relativism in fantasy is quite an amusing one, particularly since the last thing The Lord of the Rings is about is righteousness (Hobbits being made of much softer stuff than warriors and kings, yet in the end winning the day). The comparison was playing on my mind when I began reading this book though.
After the events of the previous novel, Logen Ninefingers finds himself trekking into the wilderness in the company of a legendary wizard, Bayaz First of the Magi, chasing after a long-lost weapon. Colonel West has been handed the unenviable task of ensuring the foppish Crown Prince Ladisla achieves a safe military victory in the Northern territory of Angland. To the south Inquisitor Glokta has been assigned to protect the city of Dagoska from an implaccable foreign army. His mission is hopeless, but he is spurred on by his hatred for the people who broke his body under torture, leaving him a bitter and twisted shell of a man with a razor sharp mind.
With the business of introducing the cast of this series done by The Blade Itself, Abercrombie concentrates on delivering sizable conflicts on a grand scale. The siege of Dagoska in particular is horrific, with Glokta using every trick he can think of to stall the Gurkish army in their progress. West finds himself in the centre of a rout when the arrogance of the Crown Prince, and a peculiarly wily enemy who outmaneuvers the main body of the army, forces him to flee a devastating assault. In the company of a motley gang of Northmen exiles he desperately tries to hang on to his civilized bearing and perform his duty in protecting the life of Ladisla. Unfortunately nothing would make him happier than to take the selfish prig’s life.
To all intents and purposes it is Logen’s sections of the series that supposedly describe the central narrative. Abercrombie gives us a sense of scale with the different outbreaks of war, but Ninefingers and his fellow adventurers are evidently on a quest, of the sort most common in fantasy novels. This is where I began to think of the comparison made by the uppity Grin. As it happens much of the material was disturbingly familiar. Bayaz is a flawed and occasionally unreliable magus, much in the way of Gandalf the Gray. The group visit the devastated city of Aulcus, which reminded me a little of Moria with its ominous shadows and incredible grandeur gone to rot.
My worry is that fantasy novels invariably begin to plough the same furroughs. I could mention that Robert Jordan also echoed Moria with his Shadar Logoth, yet another haunted city. Just how many wizards and weather-beaten warriors have traipsed before our eyes on the page over the years. The author here has a running joke that the magi all speak in riddles and circumlocutions, which few of the other characters have any patience for, a welcome criticism of the genre.
Abercrombie’s theme though is that the characters in this series The First Law Trilogy are in effect all monsters. Some are simply better at hiding it than others.
Perhaps the material is familiar, but Abercrombie still invests his writing with far more bite than most out there. Plus these books are very entertaining and deliciously black humoured. I cannot wait to read the next entry.