An overwhelming noise hit him, a bustling, howling sound, tumultuous in its overall effect. Listened to individually, however, the sounds were only whispers. Coarse and parched. Burnt voices.

One thing that I do not understand about Horror fiction is why it is often so overwritten. The House of Leaves by Mark Z. Danielewski was to my mind the best horror novel of that last decade – and yet! It certainly was not written in a simple or direct manner. What the genre needs is a George Orwell-type, capable of describing a sense of dread with uncomplicated language. James Herbert is not that writer. However, the premise of The Survivor initially seemed to be quite a simple one.

A 747 passenger jet crashes just outside the town of Eton. Out of the wreckage a single figure emerges, the co-pilot of the flight. Miraculously he is completely unhurt. In fact his clothing is neither torn, nor even singed. David Keller’s survival is seen as an example of freakish good fortune at first, although soon the public begins to view the man with suspicion. His claims of amnesia provide no insight into how three hundred lives were so tragically lost and his employers at the airline realize he is no good to them as a pilot. They give him an extended period of paid leave in lieu of laying him off for fear of negative publicity. Keller himself wonders if somehow he was responsible for the crash, if his negligence led to the deaths of all the passengers on board. The victims include his air-stewardess girlfriend Cathy, as well as his mentor Captain Rogan. Keller has flashes of Rogan shouting angrily at him on the days leading up to the crash. Might their falling out have led to the disaster?

Meanwhile the townsfolk of Eton are disturbed by a rapid increase in the number of accidental deaths surrounding the site of the crash. The body of a local shopkeeper is found by the river, seemingly having collapsed as a result of a heart attack. A married couple fall to their deaths from their bedroom window. A school boy is discovered dismembered on train tracks. Unbeknownst to the people of Eton a single malevolent force is behind all of these deaths, one that is growing stronger each day. Keller is contacted by a reluctant spiritualist who claims that the souls of the dead are calling on him to aid them, but warns that there is another force at work. A demonic presence that was already on board the flight, that refuses to accept death.

This is a very grim and gruesome little tale. On the one hand the vengeful spirits of the flight passengers stalking the townspeople of Eton provide ample opportunity for Herbert to describe burnt flesh and grasping, skeletal claws. On the other, we have the moral turpitude of almost every single character within the book. Everyone is either an adulterer, corrupt, mad, or in the unfortunate example of the school boy, too fat to live. Then there is the villain of the piece, a composite figure of Aleister Crowley and Oswald Mosley. Did Herbert read over an early draft of the novel and think to himself ‘well, sure, murdering ghosts who resemble burn victims are all well and good, but what this book really needs is undead satanic anti-semites!’

Also apparently Catholic priests have superpowers. Anglican clerics haven’t a hope though.

As a result I found myself struggling to care whether anyone lived, or not. There is an attempt to address some larger themes, such as this passage: Keller had wondered how assassins of this magnitude justified their actions – [..] Their own madness justified it for them. To them, the whole world was guilty.

Yet Herbert makes no effort to counter this idea. An old man, who appears briefly at the beginning and end of the novel, seems to represent the notion that the only purpose in life is to survive for as long as possible.

Anyway, so I’m reading about the ghostly whispering, the apparitions of the dead, an immoral cast of characters, the plane crash survivor guided by some unseen purpose to defeat evil – and it hit me. This book is an awful lot like J.J. AbramsLost! Sure Eton is no desert island, but thematically the two stories are quite alike (both end inconclusively too). Maybe Herbert’s publishers should look into this.

Overall I found this book to be depressing and unsatisfying.

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