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She turned. When his hat came off, his hair had come off too. In the confusion all she had seen was a chalk-white scalp, so she turned expeting to see a bald albino maybe. But no. With his sunglasses gone and his scarf hanging down, there was no denying the fact that he had no flesh, he had no skin, he had no eyes and he had no face.
All he had was a skull for a head.
Ok, I’ve got my writing music playing (Pat Boone’s cover of Enter Sandman, if you must know) and am in the mood to celebrate. See I get happy when I find an Irish writer I had not heard of before. 2009 was the year of Eoin Colfer for me, whose Artemis Fowl novels I blitzed through in a fortnight. I was excited to find a contemporary author who could take the mythology I had been raised with and update it for modern times.
It appears Derek Landy is of a similar calibre.
This book opens with a mysterious will and ends with a young girl set upon a very peculiar destiny. In between we have skeleton detectives, cthonic gods, wars of magic and a murder mystery.
The death of Gordon Edgley, known as a popular author of portentous horror fantasy novels, comes as a surprise to many but occasions little grieving. Edgley had an uncommon ability to get under people’s skin and was known to move in very unusual circles. His twelve-year-old niece Stephanie had grown quite close to him, being one of the few interesting individuals in the coastal town of Haggard near Dublin. When the reading of the will reveals that Gordon left her both his home and fortune the assembled Edgley clan is left in shock, most notably her aunt and uncle who strongly resent her incredible inheritance.
Yet her sudden good fortune is not the only thing that Stephanie came into that day. She also made the acquaintance of Skulduggery Pleasant – mystical detective. When her inheritance earns Stephanie a powerful enemy, Skulduggery comes to her rescue and introduces her to a world of magic and wonder that exists side-by-side with our own. His talk of ancient weapons, councils of sorcerors and elemental magic all sounds quite plausible to her. After all, Skulduggery is a talking skeleton who can shoot fire from his hands.
On the run from museum vampires and the malevolent Hollow Men, Skulduggery and Stephanie can count on few allies – such as the tailor-cum-boxer Ghastly Bespoke and London monster-slayer Tanith Low – as a malevolent force sweeps through Dublin’s magical community, threatening to tip the world into a mystical apocalypse. All Stephanie has to do is find the key to a magical artifact that can summon gods, prevent the villain from obtaining it first and try to make sure no one learns her real name – as in the world of magic, names have power. Oh and hide all of this from the watchful eyes of her parents.
This book is a delight from start to finish. The plot races along, the banter between Stephanie and her undead companion is hilarious and Landy utilises his experience as a black belt in Kenpo to describe some fantastic fight scenes. When detailed descriptions of blocks and kicks don’t suffice, he’ll then have Tanith perform feats such as run along a ceiling to hack at the heads of attackers from above.
On a related note, I was pleased to hear that Landy practices Kenpo, as when I was just a little nipper in 80’s Ireland I had the pleasure of meeting Ed Parker (and yes, this is a photo of him training Elvis Presley).
On top of being very funny, thrilling and filled with monstrous creatures such as the unstoppable White Cleaver, Landy also throws in some nods and winks to Lovecraft fans. The ‘Faceless Ones’, are a homage to the New England fantasist’s ‘Old Ones’, and are even credited as such by the book’s antagonist. There is even a hint that Stephanie’s adventures could all be the result of a form of family dementia. Perhaps all of what she is experiencing is a grief-stricken hallucination inspired by Gordon Edgley’s writings. I was briefly reminded of the Buffy the Vampire Slayer episode Normal Again – an association encouraged by the Buffy-esque Tanith, who shrugs off major wounds and even has a catchphrase ‘Come and have a go if you think you’re hard enough’.
I cannot recommend this book highly enough, great fun all round.
That night, back in my office. I say office – it’s actually my bedroom, but I think of it as an office. It sounds better if you say to a client, ‘I’ll need to run a few tests back in the office,’ rather than, ‘I’ll have a look at this with a magnifying glass after I put my PJs on.’
From Australian children’s authors let’s skip across the planet to Ireland. If that makes you feel slightly dizzy, try to imagine how I feel! Wexford-born native Eoin Colfer’s Artemis Fowl series was a breath of fresh air when it first arrived. A modern, witty take on Irish mythology and contemporary society….with farting leprechauns, just to make sure kids paid attention. Half-Moon Investigations is a new series from Colfer and I am happy to report, is also a very successful humour book for children.
Fletcher Moon is the town joke in the small community of Lock. A twelve year old boy who likes to ‘play at detective’. He even insists on showing off a detective’s badge, which he insists is genuine. His kind parents indulge the fantasy, but hope he’ll grow up and notice girls some day. The other children are not so understanding and have branded Fletcher with the nickname ‘Half-Moon’. He’s a weirdo, a nerdy kid with delusions of grandeur.
What most people don’t know is that Fletcher is an accredited private investigator. Sure he used his dad’s birth date and credit card to apply for the two year course. Nevertheless he has a real detective’s badge and know’s the course books off by heart. He dreams of one day working for the FBI as a forensic investigator, like the kind on CSI. In the meantime he’s hoping to score a real case and maybe even a real fee. Mostly the school kids he has helped pay him in chocolate.
Fletcher soon learns to regret his ambitions when popular ten-year old April Devereux hires him to investigate a series of mysterious robberies. The prime suspect is one Red Sharkey, the heir apparent of Lock’s local criminal gang lord Papa Sharkey. He doesn’t appreciate the attention Fletcher is drawing to him and does not hesitate in letting his feelings on the matter be known. What’s more, the boy detective soon discovers the danger in becoming too involved in a case, after he finds himself first assaulted and then framed for a serious crime. Is April Devereux ten Euro retainer enough to cover his growing legal fees and bail?
This is winning, fast-paced stuff, a kiddy version of a Sam Spade mystery. There is even, in the classic detective format, two mysteries that overlap for Fletcher to resolve. In many ways this resembles an Irish take on Rian Johnson’s Brick, starring Joseph Gordon-Levitt, with all the tropes of detective fiction entertainingly inserted into this schoolyard adventure. There’s even a tween stool pigeon and a pink loving femme fatale.
On the weekend I happened to catch five minutes of a television series based on Colfer’s novels. Not only was the action relocated to England, but I felt the spirit of the novel was lost, with the usual generic and insipid child actors standing in for the preternaturally worldly-wise heroes and villains of this yarn. A real shame and a missed opportunity I feel for the Irish film and television industry not to have kicked Colfer’s door down for the rights (but then, that is not an unusual error on their part).
I would strongly recommend these books for children between the ages of 10 – 15 and adults who enjoy a wry chuckle. I am looking forward to gobbling down the rest of these books like I did the Artemis Fowl series.