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Personally I am looking forward to this one. Yes it’s another comic book movie. Yes, Marvel Studios are shoving the story into some kind of shared continuity along with Jon Favreau’s Iron Man to build anticipation for the planned Joss Whedon Avengers picture. I do not really mind all this as Brannagh has nailed one aspect of Marvel’s Thor – and that is the paradoxically futuristic vistas of the city of Asgard from Norse mythology envisioned by Jack Kirby. Paradoxical as Stan Lee set the comical precedent of having Asgardians speak in a bizarre, faux-Shakespearean version of English, yet they reside in a cloud-borne metropolis that outstrips Fritz Lang.
What disappointed me the most about the recent Thor relaunch by J. Michael Straczynski was that Kirby’s vision of Asgard was completely lost, with the Norse deities cleaving more to Stan Lee’s anachronistic medieval type. This much-praised take on Thor, to my mind, mislaid much of the original storyline’s appeal. Kirby had a recurring notion that gods worshipped by man were in fact a higher form of alien life, an idea he made more explicit with his Fourth World/Eternals books later on. He avoided a simple repeat of Chariots of the Gods by having familiar gods, such as Thor and Loki, be at once technologically advanced aliens who appeared to humans as ancient warriors.
It is an entertaining conceit and one which Kieron Gillen appears to be returning to in this collection. The story follows Straczynski’s recent departure from the book and so at present Thor is in exile from Asgard for murder; Balder the Brave has taken his place as ruler; and Asgard itself is stranded on Earth, no longer seperated from Midgard.
As such the Norse gods are vulnerable and supervillain Doctor Doom has decided to exploit their weakness by kidnapping and experimenting on Asgardians to learn the secrets of their power. The gods have recently been guests of his nation of Latveria, thanks to the trickery of Loki, which explains the title. Doom would be a modern day Prometheus, steal the power of the gods themselves and elevate himself above them using only his intelligence and reason.
When the gullible yet noble Balder, who is beginning to realize just how much he has been manipulated by Loki, attempts to lead an attack on Doom’s fortress he is faced with a horrific sight. Former comrades and loved ones taken by Doom, twisted and corrupted into new cybernetic bodies, utterly brainwashed. The Asgardians are forced to fight against these tortured creatures, with the tide of battle finally turning upon Thor’s arrival. Unfortunately Doom has anticipated this also and has discovered the secrets of Asgardian technology such as the Destroyer.
It is of course no coincidence that the same alien weapon features so prominently in the movie trailer linked to above, with Marvel ramping up the release of Thor titles in advance of the movie’s release. I am grateful to see such welcome synergy between the two mediums, as too often in the past Marvel Comics has dropped the ball in terms of capitalizing upon the films success. How many Blade books were sold after Stephen Norrington‘s box office hit?
Thankfully Gillen is not just writing a tie-in book. His story mixes elements of tragedy and some very decent character development. Balder’s insecurities about leading in his brother’s stead are well-realized and the script even allows the constant betrayals of Loki to be seen in perspective. He is the master of deceit after all, the most famous ‘trickster god’, who is capable of winning the trust of even his most fierce enemies.
However, it is of course Doom who steals the show, refusing to accept the superiority of gods themselves. He finds the very idea of a god insulting and demonstrates a degree of malevolent sadism in the treatment of his Asgardian prisoners.
I am happy to see such an epic tone return to the Thor franchise, which has recently become too enamored of the cliched ‘gods with feet of clay’, story conceit. A return to Kirby high fantasy and science fiction would be welcome.