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Lately I have had a foretaste of what it means to be a parent. If you want to know what it feels like to parent a child, you should get a dog. If you’re curious about the experience of living with an adolescent, who uses your home as a place to occasionally doss and eat the entirety of your food – get a cat.

We have been housesitting in a very beautiful part of the world, just along the New South Wales coast for the last week. As mentioned previously, said house-sit involves caring for two cats, one of whom has been ill for the past few days, so we were asked to keep her indoors.

Now cats who are used to roaming free outside don’t like being kept indoors and they have no problem letting you know how annoyed they are with you. The plaintive cries and yowling of the cat sitting by the front door in my mind became anthropomorphized as ‘let meeee ouuuuuttt!’ Not only does the cat insist on complaining about this unfair (“soooo unfair!!!) detention within the house, it makes concerted attempts at escape; hisses at me when in a bad mood (read always); and decides it is important to wake me up at 4am to discuss the toilet arrangements.

So yeah, I’m feeling just as frazzled as a concerned parent. My nerves are frayed and I am one more cat incident away from a panic attack.

The Unwritten is initially a comic about the creative process involved in writing a book. It is also about fathers and sons, the inescapable shadow that a more successful father leaves behind. Tom Taylor’s father not only wrote an incredibly successful fantasy series of books about a boy wizard – he named the main character after his son. Tom Taylor has never managed to make a career for himself outside of his father’s creations. What’s more some fanatical fans of the novels have a near religious obsession with the character ‘Tommy Taylor’, and to them he is more real than the boy who inspired him.

Tom makes a small income from making appearances at fan conventions dedicated to his father’s books, where he continually is asked about the mysterious disappearance of Wilson Taylor, or the rumours that he vanished without having settled his estate. Tom has had no access to the revenue generated by the Tommy Taylor media empire.

At one another of these interminable conventions, things take a turn for the worst. Firstly a lunatic who styles himself after Tommy Taylor’s arch nemesis, the vampire Count Ambrosio appears. Then a reporter announces that a Eastern European couple have claimed that Tom is actually their son and that Wilson adopted him as a child. This revelation leads to the cultish Tommy Taylor fans turning on their ‘false messiah’, and Tom is forced to go into hiding.

Then Tom discovers that this turn of events are connected to Wilson’s disappearance. Hints that his father was involved in a quasi-masonic conspiracy begin to emerge, one that stretches down through the years and has dictated the careers of many writers. The question of Tom’s own parentage continues to raise his head. Maybe he isn’t the son of Wilson Taylor, or the Eastern European couple – what if the fans are right and he is actually Tommy Taylor. If a fictional character can become real, what else has crossed over into this world from the world of books.

When I bought this book from the excellent Kings Comics in Sydney, the teller’s eyes lit up. He assured me that while the initial issues, what with all the comparisons to J.K. Rowling’s Harry Potter (as well as some overt digs at the obsessive fandom attached to the boy wizard) might seem predictable – and in many senses this is yet another typical Vertigo comic, which specializes in post-modern, literary graphic novels – by the last issue in the collection it makes a quantum leap in quality. Without giving anything away, let me just say the digression into the lives of Rudyard Kipling and Mark Twain/Samuel Clemens is wonderfully constructed.

I also found the book reminiscent of Jonathan Carroll’s Land of Laughs, a favourite of mine from way back. The estranged relationship between Tom and his father underpins the central theme of what writers owe to their creations once they are let loose into the world.

Carey and Gross have fashioned an instant classic. A must-read.

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