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‘You know,’ Carter said, as the cheering faded, hoping this would solve everything, ‘I do love magic. By itself, for its own sake.’
Ledocq nodded. ‘So. If you do a trick and no one notices, does that satisfy? Or is it like a tree falling in the forest without anyone to hear it?’
Carter sighed. His curse in life was to be attracted to people who understood him. With a sip of beer, he said, ‘I feel sorry for that tree.’
I cannot count the number of times I have taken this novel down from a shelf in a book store and then not bought it. For one reason or another, I never made that last trek to the cashier. Since Glen David Gold’s debut novel was first published it has attracted a rake of plaudits and praise. I sometimes suspected this was another one of those popular novels that actually is not all that good, but somehow managed to attract the newspaper literarti. I’m very contrary like that, always plumbing for the obscure over the well known. Turns out I was very wrong.
Gold’s novel is a fictionalized account of events involving real historical persons. President Warren Harding did die suddenly, during an administration notable for corruption scandals and falling public approval. He is still referred to as one of the worst presidents in the history of the United States. The book’s main character Charles Carter was a popular magician and contemporary of Houdini’s. Gold takes the lives of these two men and intertwines them, effectively ‘framing’, his hero for the President’s death.
For in this revision of history, President Harding attended a performance of Carter’s and after taking part in the show stopping illusion known as ‘Carter Beats the Devil’, returned to his hotel and died only two hours later. The magician flees the scene of the crime, with special agent Jack Griffin in pursuit. The government agent becomes obsessed with the history of his quary and the book skips backward and forwards in time, relating the events in Carter’s life that the search uncovers, as well as revealing his origins as a magician to the reader.
Early in the novel Carter’s first steps as a magician lead him to a fateful encounter in a snowbound house. Still a child, he comes face to face with a madman who captures both him and his little brother James and beats them horribly. Using what he has already managed to learn about escape artists, Carter frees himself and his sibling and rushes to find help – only to be dismayed when no one believes his story. It is a frightening and disillusioning experience for the young boy and his later obsession with illusions seem to indicate a fascination with truth and belief. Magic, he learns, is all about misdirection. The spectacle is designed to exploit human psychology, their willingness to believe what their eyes can see over all else.
Gold fills the books with period details, in keeping with choosing real-life personages such as Harding, Carter and Philo Farnsworth as characters. The early faddishness of psychoanalysis is touched upon, as well as the cult of personality enjoyed by Houdini. Conspiracies and new exciting breakthroughs in technology are revealed. By choosing this period, Gold introduces contemporary readers to an age of wonder, when invention and the need of the status quo to financially control such advances in technology, grappled. Thomas Pynchon brought to light the same conflict in Against the Day and H.G. Welles’ wrote The Open Conspiracy revealing how science could become a tool of control, with the greater public remaining in ignorance of its benefits.
This is a gripping and fascinating historical drama, with thrilling intrigue and murderous plots to keep the pace racing.