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In the men’s room, he finally took the trouble to examine the money and was encouraged to see the face of Ulysses S. Grant engraved on the front of each bill. That proved to him that this America, this other America, which hasn’t lived through September 11 or the war in Iraq, nevertheless has strong historical links to the America he knows. The question is: at what point did the two stories being to diverge?
First off apologies for the late posting. I was miles away from my trusty Asus this afternoon. While this is being published still within the borders of the prerequisite ‘day’, it is late and I hope you were not waiting in vain. Auster’s novel is a traumatized reaction to the events of September 11 and the invasion of Iraq. I found myself comparing it critically to a number of other writers, yet at the same time Man in the Dark is a statement confronting the failures of American liberalism in the wake of these horrific events in recent history.
August Brill is a man trying to hide from his past. Mourning the death of his wife, he lives with his daughter Miriam and granddaughter Katya. Further tragedies haunt this family, but they retreat into silence, or obsessions to escape the necessary catharsis.
Twinned to this narrative is the story of Owen Brick, a man transported to another America, torn apart by civil war. Several states have followed the example of New York and seceded from the United States. Brick finds himself an unwilling military recruit, ordered to assassinate the man responsible for the horrors being visited on the American people. He protests that he is only a magician and cannot bring himself to kill. The men who have chosen him threaten the lives of his loved ones back in the ‘real world’, if he does not comply. The target for assassination? A writer named August Brill.
I picked up this book as it describes the imaginings of a chronic insomniac. If you ever wondered how I have managed to read 46 titles in as many days, well now you know. Auster also refers to Italian philosopher Giordano Bruno as an explanation for his ‘many worlds’, premise. I took issue with his conclusion that Bruno was executed for the thesis of the plurality of worlds. I always understood the Vatican having ordered his death as his belief in Christian magick fell out of favour with the new pontiff Pope Clement VIII. There is an excellent book by Frances Yates on the subject if anyone is curious.
The world of Owen Brick is quickly established to be a fiction. I was strongly reminded of Alasdair Gray’s Lanark throughout, despite Auster employing the shadow of 9/11. The difference is that for Gray the fantasy world is just as ‘real’, as ours. Philip K. Dick would also do this on occasion, refusing to clarify which perspective of reality is the ‘true’ one. Auster instead describes this alternate America as a distraction from grief, with the endless film viewing of Katya and August fulfilling a similar function. Their shared tragedies must be evaded at all costs.
It is a slim book, perhaps I expected more meat on the bone. I have never read Auster before and I have heard nothing but good things. If anyone can recommend another title by him, I would love to try him out again.
Tomorrow – Scott Pilgrim!