You are currently browsing the tag archive for the ‘Liam Cunningham’ tag.
“Do you like to read books, Bran?” Jojen asked him.
“Some books. I like the fighting stories. My sister Sansa likes the kissing stories, but those are stupid.”
“A reader lives a thousand lives before he dies,” said Jojen. “The man who never reads lives only once. The singers of the forest had no books. No ink, no parchment, no written language. Instead they had the trees, and the weirwoods above all. When they died, they went into the woods, into leaf and limb and root, and the trees remembered. All their songs and spells, their histories and prayers, everything they knew about this world.”
This review has been a long time coming. I complained often to friends that I could barely remember A Feast of Crows, the last book in this series which was published over six years ago. I trusted in George R.R. Martin‘s abilities as a writer to suck me back into the action, given that the plots and backdrops to A Song of Ice and Fire are so impressively constructed.
Interestingly in A Dance With Dragons Martin resolves the split he introduced in previous volumes, with successive books focusing on a specific selection of characters and then the opposing points of view of others being presented in the next. Here we follow up on Tyrion, Daenerys and Jon Snow for the initial half of the book, but afterwards we catch up with Arya Stark and Cersei Lannister among others. Having resolved his arbitrary divide between the North and South geographical locations of these characters in order to split the material, the action finally begins to move forward.
But oh this is a long, hard read.
Part of the issue for me was that while the first books had these conflicting points of view on the series of events – which was a nice approach – the latest in the series have been see-sawing back and forth along a fictional timeline. It is quite confusing. Another issue is that either I am wearing rose-tinted glasses as far as my recollection of these previous entries in A Song of Ice and Fire, or Martin’s writing is a lot more miserabilist. For starters there is the unremitting torture and humiliation of the character Theon Greyjoy, who has gone from a ward of the Stark family (in effect a well-treated hostage), to the abused catspaw of the bloodthirsty Ramsay Snow. The chapters that relate to Reek – the name Theon is forced to adopt – are very disturbing and difficult to read. Then there is our favourite anti-hero Tyrion, traumatised by having murdered his own father and on the run to the East. Mutilated and half-demented, the quick-witted dwarf is a long way from the cynical yet oddly decent character he was first introduced as. Then there is Daenerys whose efforts at running a kingdom have left her at the mercy of competing power factions and untrustworthy advisors.
It is a credit to Martin that I feel so invested in this story, but it took me quite a while to finish it. The picture being painted here of the ‘game of thrones’ that threatens to swallow whole continents in war and destruction is vast. Increasingly however I am coming to understand why historical epics so often gloss over the scope and realities of conflict, instead introducing a sometimes insipid plot involving a small selection of characters caught in the middle of these events. Martin is trying to encompass every facet of the plot that he has unraveled, but it feels overwhelming. The taste of grit from the brutal and short lives of these people never leaves, which increases the feeling of an uphill battle to get to the last page. The sequence involving the army of Stannis Baratheon, snowed under and starving, was especially grim and the book ends with their fates seemingly sealed.
It is not all misery though. I was happy to see Davos the Onion Knight return to the book and am very excited to see Liam Cunningham play him in the second season of Game of Thrones (as discussed here on my Blue Jumper podcast). It was also great to get some story progression on Cersei and Arya, two of my favourite characters in the series in fact.
Overall though this is a troublesome read. I’m enjoying Joe Abercrombie a lot more at the moment, it is sad to say.