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For everywhere folk have again taken out the Christ they’ve kept hidden since Catholic days. Now, in every village and hamlet, you can see braided garlic and the holy images repugnant to the monster of Ropraz hanging from the window frames and catches, from lintels, balconies, railings, even from secret doorways and in cellars. Crosses are erected again in this Protestant countryside where none have been seen for four centuries. On hills, beside country roads, the object dominated since Reformation days is erected again. The vampire fears the symbol of Christ? “There, that’ll make him think twice! And the dog is loose.”
History is peppered with tragic accounts of rampant superstition in small communities leading to fevered accusations of witchcraft, vampirism and demonic possession against people whose lives were then destroyed by the enflamed mob. I once had an English teacher who claimed that women accused of being witches were in fact proto-feminists. I find that doubtful. To my mind those accused by the community were most likely already isolated from the other folk in the area, nevermind what they thought, or believed in. Victims of history if you like, our knowledge of the past passed down to us from the dominant narratives of those who dominate.
Jacques Chessex here presents a semi-fictionalised account of actual events. The town of Ropraz in Switzerland at the turn of the twentieth century was gripped by tremendous fear after the body of a young woman, the daughter of a local justice of the peace who had passed away from meningitis, is discovered to have been disinterred and interfered with in the graveyard itself. The young Rosa Gilliéron mutilated corpse was found by her own father only two days after she was buried. Ropraz itself having already been moved to great despair by the tragic death of the beautiful girl is incensed at the monstrousness of the crime. The body has been sexually molested, chewed on and even had organs cut away by a sharp blade. Only a fiend could be capable of such a horrific crime. The people take to their homes, arm themselves and whisper to one another at night of the Vampire of Ropraz.
After shock comes anger and a desperate need for swift justice. Accusations are thrown against innocents, family feuds are reignited, suspicion falls on medical students, butchers and well-known criminals. The police are unable to find the culprit and then as the winter snows melt further outrages are committed against two more girls, thought safely resting in their graves. The vampire seems to be on the move, striking out to find more amenable hunting grounds in neighbouring towns. Word of the crimes reach newspaper readers across Europe, Catholic superstitions return to Protestant Switzerland and no one can tell where the fiend will strike next.
Then a man known as Charles-Augustin Fevez, a drunk with an exaggerated gait due to a dislocated shoulder, is identified as the culprit. Found molesting a cow in a stable, the leap from bestiality to bestial savagery is an easy one to make in the eyes of the public. The vampire of Ropraz has been found and the people want revenge.
What follows is a fascinating account of mob-justice and early psychiatry. The descriptions by Chessex may take artistic licence with certain details, certainly this is a more lyrical record than usually found in history books, but he shows a keenly felt personal interest in the scapegoating of Fevez by the community that never wanted him. Not that any argument protesting his innocence is made – this book is more interested in how a human can be made into a monster to excuse the crimes of the people around him. The small towns in Switzerland are in this period crippled by poverty and misery, with alcoholism, incest and mental illness found everywhere:
They hang themselves a lot in the farms of the Haut-Jorat. In the barn. From the ridge-beam
There can be no justice, only the exacting of a brief vengeance before life trundles on.
Where before Fevez was an anonymous stable-hand, he is become a celebrity of sorts. A lady in white bribes a warden to be allowed to spend time with Fevez in his cell on several occasions. In a strange inversion, Fevez becomes alike to the virginal innocents he is supposed to have ravished. Chessex ends his tale with the troubled man from Ropraz gaining immortality from an unexpected source.
A very curious record of a grotesque and bizarre historical event.