He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath:
“Only God knows how much I loved you.”
Today has been reported as the hottest day in Sydney for 85 years. I certainly felt it. When I set out this morning the air had been pleasantly cool. One quick deposit of previously reviewed book titles and the collection of this coming week’s novels and I was back outsde, stepping lightly on sizzling concrete.
Absolutely unbearable. While waiting for the bus I began reading Love in the Time of Cholera, a book I am sad to say I am mostly familiar with following its use as a prop in that Kate Beckinsale romcom Serendipity. I felt as if the heat simply dropped, so absorbed was I in the book’s fluid prose. Later when I retreated to my shady bedroom, with my wife curled up asleep beside me in bed, I felt like I was the luckiest man alive.
The story begins with the tragic suicide of a man who refused to grow any older once he had reached his sixtieth year. Though he does not figure in the rest of the story, a narrative that flashes back and forth across the lives of three individuals caught in a strange love triangle, this man’s refusal to grow old reflects the concerns of the novel itself. Whether love, that animating principle that sustains both generation and devotion, is possible in old age?
For fifty-one years, nine months and four days Florentino has remained passionately in love with Fermina. They met while they were both teenagers and conducted a secret affair of the heart through love letters. Florentino is given to over-romantic poetical outpourings of affection, gifts and persistent entreaties for Fermina’s love. For her part, she maintains a degree of reserve in her replies, although she is convinced that she loves him. Even after the affair is discovered, she persists in her shared attraction to the poet, until one day, having overcome many months of obstacles thrown in their path to be together, she sees him in a new light: as a pathetic looking figure, completely dependent on her reciprocation.
She rejects Florentino and instead finds herself courted by Dr. Urbino, sophisticated and possessing of wordly knowledge where her former lover was insular and consumed by an irrational infatuation. Urbino has returned from Europe with the sophistication of a true Parisian, a cultured interest in literature and modern medicine, having aided in the defeat of a devastating cholera epidemic. They marry and raise a family together, discovering an enduring domestic happiness.
Florentino fastidiously preserves his own body to remain in shape for his beloved and is incapable of writing anything but love letters in memory of the woman who rejected him – something of a hindrance when it comes to writing business letters for a shipping company. As the years pass he begins to take a series of lovers, generally widows, with whom he has clandestine relationships, never marrying, never accompanying any of them in public. As he rises up the corporate ladder rumours spread that he is in fact homosexual and with his studied vanity, unusual attention to his health and obsession with sex is seen as an odd character.
When Urbino finally dies, having fallen in an attempt to retrieve a parrot from a mango tree, Florentino presents himself to Fermina while she is still in mourning and presses his suit. Horrified she rejects him a second time, in disbelief that such an unnatural request be made while her husband sits in his coffin waiting for burial.
The death of Urbino occurs at the beginning of the novel, with the three lives of the spurned lover, wife and dead husband poured over for the rest of the book. There is a Proustian quality to the proceedings, with memory the fuel of the narrative. The frailty of the human body is ever-present. Florentino’s romantic obsession is symptomatic of cholera; the aging characters are betrayed by bodily effluvia. At one point someone declares that romantic love in youth is ridiculous – during old age, obscene.
This book remains passionately defiant and wickedly seductive till the last page. Delirious, amoral and bewitching.